Unless you’re buying a templated, cookie-cutter whiteboard animation, the cost of animation and motion graphics can vary pretty dramatically from project to project. Bids are drafted based on specific situations and project details, which unfortunately make it a little difficult to pin down an exact…
If you’ve been anywhere within earshot of the numerous geek communities over the past thirty years, you have undoubtedly heard the name “Dungeons and Dragons” at some point in time. While it may carry the “way-too-nerdy” price tag for many, the game offers so much…
CRASH+SUES recently partnered with Planet Propaganda in Madison, Wisconsin, Duluth Trading Company’s agency of record, to provide creative edit (Matthew Kroese) and color (Todd Isaacs) on the TV spot “Doll.” Not coincidentally, the women at C+S are sporting a surplus of plaid shirts to the…
Trained under the watchful eye of CRASH+SUES colorist emerita, Sue Lakso, Todd Isaacs is receiving acclaim over his recent color grading of the impressionistic art drama, “The Seeker” featuring the music of Cloud Cult. Proficient with Nucoda, the industry’s premier color grading system, Todd’s skill…
CRASH+SUES is excited to announce a collaboration with Roseberry Entertainment, Inc. and Fischer Media, LLC, to create a 2-minute animated trailer for an upcoming feature-length film based on the Young Adult novel, “Milkweed” by Jerry Spinelli. The novel takes place in the years leading up…
Doe-Anderson came to CRASH+SUES s to bring their new positioning for Carrier to life. The desire was to re-establish the brand’s credentials as innovators in home comfort in order to launch a new product initiative that goes way beyond heating and cooling to include safety…
I think it’s safe to say that with any given project, whether personal or for a client, there’s a desire involved to have it be memorable. (I mean, why would you enter into a project with the intent to make it forgettable.) So the question…
Animation is a bit of a niche medium. If you’ve never had to navigate the workflow it can seem a little intimidating. It is a layered, iterative process with each draft of animation adding more and more complexity, so approvals along the way are a…
The use of 3D modeling, sculpting, and surfacing applications within digital media is both a marvel and old news. Software packages like Zbrush, Maya, and Mudbox have become standard in companies that create content within the animation, video game, and production realms across the world,…
Last week CRASH+SUES was bursting with activity as we hosted a virtual reality technology demo for our friends in the creative / advertising community. Virtual Reality is an immersive experience – and it’s difficult to understand just how cool it is until you’ve tried it….